New York, USA - Sept 12-13, 2026 (CGTN - No access Chinese mainland)
1. Various of dance drama in progress
2. SOUNDBITE (Chinese) Qin Xi, performer:
"The Western audience may not be familiar with the historical setting of 'A Dream of Red Mansions.' But dance helps us bridge that gap and bring East and West together. It gives audiences a way into our stories through our dance work."
3. Various of posters of dance drama 'A Dream of Red Mansions'
4. SOUNDBITE (Chinese) Li Wenxin, performer:
"For me, the most important thing about this visit is letting Western audiences experience the emotions we express in the East. Perhaps those emotions can connect people from different cultural and ethnic backgrounds. I believe this production will move them."
5. Audience posing for photo
6. Audience taking photo
7. SOUNDBITE (English) Robert, audience (full name not given):
"I like the fact that we're getting to see older Chinese culture, from ancient society and older civilization. We should be involved and know more about that."
8. Various of posters of dance drama at entrance of theater

Chinese dance drama "A Dream of Red Mansions" made its U.S. debut in New York City on Friday, bringing the classic Chinese novel to life through dance, traditional music and contemporary stagecraft.

Nearly 2,000 people packed the theater for the premiere, responding with cheers and sustained applause. The production, though rooted in Chinese tradition, aims to bridge cultural divides by evoking universal emotions of love, loss and longing.

On stage, familiar episodes unfold, from the arrival of Lin Daiyu, one of the main protagonists in the drama, at the mansion and the imperial consort's homecoming to Daiyu burying fallen flowers. Through movement, traditional Chinese music and stage design, the dancers convey the characters' joys and sorrows, partings and reunions. As the premiere ended, sustained applause and cheers filled the theater, and the cast returned for repeated curtain calls.

For their first U.S. performances, the actors focused on using dance to help audiences unfamiliar with the novel understand its characters and connect with its story.

"The Western audience may not be familiar with the historical setting of 'A Dream of Red Mansions.' But dance helps us bridge that gap and bring East and West together. It gives audiences a way into our stories through our dance work," said Qin Xi, the performer playing Wang Xifeng.

Despite differences in cultural background, the characters' emotions can resonate across cultures. Li Wenxin, who plays Jia Baoyu, hopes American audiences will recognize feelings they share with the characters in this Chinese classic.

"For me, the most important thing about this visit is letting Western audiences experience the emotions we express in the East. Perhaps those emotions can connect people from different cultural and ethnic backgrounds. I believe this production will move them," said Li.

The adaptation also sparked interest among audience members in learning more about Chinese history and culture. They said watching Chinese dance was both an artistic experience and an opportunity for people from different cultural backgrounds to come together.

"I like the fact that we're getting to see older Chinese culture, from ancient society and older civilization. We should be involved and know more about that," said Robert, an audience.

The dance drama was developed under the direction of Jiangsu Cultural Investment and Management Group, produced by the Jiangsu Centre for the Performing Arts and co-produced by the Nanjing Chinese Orchestra. Since its debut in 2021, the production has continued to refine its staging through successive tours, bringing a contemporary perspective to traditional material and exploring new ways to present Chinese literary classics on stage.